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A subreddit dedicated to the great band Fleet Foxes. Rules: Content posted here should be related to Fleet Foxes. In other words, your post should be interesting to Fleet Foxes fans. Helplessness Blues - 2011. (spotify| apple) Fleet Foxes - 2008. (spotify| apple) Sun Giant (EP) - 2008. Reddit gives you the best of the internet in one place. In a few years people will exclaim that this is a masterpiece and Fleet Foxes’ best record. Album discussion thread (self.fleet_foxes) submitted 1 year ago by zenits new reddit is the worst [ M ] The album is now officially out on NPR first listen, so it's time to retire the leak discussion and introduce the official album discussion thread! Fleet Foxes is the debut studio album by the Seattle, Washington–based band Fleet Foxes. Released on June 3, 2008 in the United States and June 9 in the United Kingdom, the album debuted at #11 on the UK album charts, where it eventually peaked at #3.
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Robin Pecknold's a man who values life not for the amenities it gifts, but for the knowledge he's able to seek. Many cherish life differently, and for Pecknold, after an exhausting tour following the release of the Fleet Foxes' 2011 LP Helplessness Blues, a return to schooling at Columbia University felt like a sound path for a man whose struggled to find his place. This isn't to say Pecknold's music prior to the minor Fleet Foxes hiatus was dimwitted and inept; quite the opposite. In fact, despite only releasing two albums, the Fleet Foxes acted as one of the more mature modern bands out there, respecting music, literary, and general history through Progressive Folk, poetic mythology, and archival factoids respectively. On Crack-Up, those three facets reach a new plateau, with Pecknold's robust wisdom combining with the group's effortless handling of Folk in a way that the Fleet Foxes have never achieved before. Crack-Up isn't as immediate or as appealing as their previous efforts, with a distinct darkness looming over the LP like an ominous cloud, but the complexity of the compositions, the delicacy of the lyrics, and the beauty pouring from Pecknold and the instrumentation help to prove, once again, why the Fleet Foxes are Folk's pacemakers.That much was evident when 'Third Of May / Ōdaigahara,' the nine-minute epic, was released as a lead single back in March. Doubt over the group's return quickly evaporated thanks to the sheer audacity displayed, with infinite layers of instruments, multiple distinctive parts, powerful proses of shaky skepticism, and vocals that gleamed down from the heavens like the sun breaking through those gloomy clouds. 'Third Of May' set the tone for an ambitious return, and while that single acts as the album's centerpiece, the surrounding building blocks provide ample amounts of musical potency. 'Third Of May's' subsequent track, 'If You Need To, Keep Time On Me,' acts as a contextual epilogue, with both songs sharing the source of frustration and concession between Pecknold and Skylar Skjelset, longtime friends and bandmates. Even the next track, 'Mearcstapa,' seems to continue that path as we find Pecknold stubbornly refusing help from strangers in a time of need. All this, as is the norm with Fleet Foxes, told through intensely contemplative and meticulous poetry. At times Pecknold turns storyteller, like on the disparaging 'Kept Women;' other times ambiguous anomalous, like on 'I Should See Memphis.' In either case, or every, the lyrics bleed from the pen as if they were written to be read, not sung.
And yet, that's not the most impressive aspect of Crack-Up. That award goes to the production, which arranges itself as an ever-evolving pop-up folklore tale, with varying bends, creases, and cracks in the deteriorating parchment. Wheres 2008's Fleet Foxes or Helplessness Blues merely used Folk as a requirement to verify their shtick, Crack-Up echoes defiance with strong hints of progressive music tendencies. There's structural distinctions galore, whether it be the seamless three-piece opener 'I Am All That I Need / Arroyo Seco / Thumbprint Scar' that pants around quaint corners and emphatic hubs, or the breathless two-part narrative of 'Cassius, -' and '- Naiads, Cassadies' that exists as a rollercoaster of moods, tones, and paces, Crack-Up is never short on captivating moments; both large and small. Upon first listen, it wasn't the distant past that compared itself to the Fleet Foxes but more so the work of contemporary greats Radiohead. To me, Crack-Up would've been the likely result of a Radiohead experiment with Folk, ripe with grand orchestral arrangements, lush instrumentation, infinite layers, gorgeous vocals, and lyrics that pluck at the heartstrings while explaining universals. In other words, it's a critical darling, and the formal evolution of a well-composed band teetering on being a modern day gimmick.
This does, however, make it a challenging and burdensome listen at times. Like any Radiohead affair, listening to Crack-Up
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front to back is essential, to the point where removing any singular piece feels insulting. For Crack-Up, pacing is everything. And, much like any self-realized epic, with the highs comes lows. This is where my general disinterest towards Singer/Songwriter comes into play, a secondary genre that's used effectively here, but not enough to overcome the awe of 'Third Of May's' opening section or 'On Another Ocean's' closing one. Two songs specifically, 'Kept Woman' and 'I Should See Memphis,' teeter on boredom, without much formal growth to speak of. To me, these are necessary evils, moments of reflection after the magnificent events they're reflecting upon. Juxtaposed sparsely between the escapades of grandeur are subtle, or sometimes elaborate, Ambient fixtures, like 'Ōdaigahara' or the ending of 'Fool's Errand.' These, once again, help to separate the peaks from the valleys, and work better as nominal passages than entire works. The diversity displayed across the entirety of Crack-Up not only cause the 55-minutes to feel far more substantial, but engaging to the listener as well.The question remains; is Crack-Up better than Helplessness Blues? Whereas the latter polished Fleet Foxes' artistic edges to create something fun and imperishable, the former focuses heavily on escaping expectation. Critically, Crack-Up fairs better, but day-to-day Helplessness Blues triumphs. However, even with definite standouts 'Third Of May,' 'Thumbprint Scar,' and 'Cassius, -' in tow, Crack-Up saves its best track for last; one that leaves a lasting impression. 'Crack-Up' effortlessly moves through Pecknold's self-contemplation, the band's own self-empowerment, and a final self-eulogizing with such poignant fluidity and palpable clarity. Acting as an opposing force to the three-part opener that jarringly maneuvers non-concurrent parts around, 'Crack-Up's' steady pace and emotional release feels all too perfect as an impactful finale. Pecknold, using his remaining breaths, gasps out the words 'you alive' which sounds an awful lot like Ylajali; Crack-Up's initial title, and a word echoed earlier in the song. That name reveals the general concept mustering in Pecknold's mind. A fictional women in Knut Hamsun's novel Hunger (the same one that Crack-Up's cover owes its fame to), Ylajali is represented as a being with two opposing thoughts that don't align. Weakness and strength; I can't yet I must. Pecknold's uncertainty, ironically, made the Fleet Foxes' latest work their most ambitious, declarative, and undoubting yet.
Helplessness Blues | ||||
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Studio album by | ||||
Released | May 3, 2011 | |||
Recorded | 2009–2010 in Reciprocal Recording, Dreamland Recording, Bear Creek Recording & Avast Recording | |||
Genre | Indie folk[1] | |||
Length | 49:57 | |||
Label | ||||
Producer | ||||
Fleet Foxes chronology | ||||
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Singles from Helplessness Blues | ||||
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Helplessness Blues is the second studio album by Seattle, Washington–based folk band Fleet Foxes. Released on May 3, 2011 on Bella Union the UK indie label they signed to in 2008, as the follow-up to their self-titled debut album,[2][3]Helplessness Blues received universal acclaim from critics and was nominated for Best Folk Album for the 54th Grammy Awards.[4] The release peaked at number 4 on the Billboard 200, the band's highest position on the chart to date.[5] To support the album, the band embarked on a worldwide Helplessness Blues Tour.
Helplessness Blues is the band's first studio album to feature bass guitarist Christian Wargo and multi-instrumentalist Morgan Henderson. It is also the band's only album to feature drummer and backing vocalist Josh Tillman, who left the band in 2012 to pursue his solo career under the name Father John Misty.[6]
- 2Critical reception
Fleet Foxes Helplessness Blues Chords
Summary[edit]
Initially, Robin Pecknold had stated that he would have liked the album to be released in 2009; however, the band's touring schedule had caused them some setbacks. They got together to rehearse new songs in February 2009 in a rented house outside Seattle, but the sessions were mostly scrapped. As a result of those wasted sessions, the band lost $60,000 of their own money. After their tour in support of the 2008 releases ended, the band's singer-songwriter mentioned the possibility of starting to record new songs, but Josh Tillman, Fleet Foxes' drummer and co-song arranger, was scheduled to play Europe and North America all along the 2009-10 winter as part of his solo musical act. Added to this, Phil Ek, the band's producer and friend answered in an interview that he was likely to continue as the producer as Robin had already sent him some demos to start listening to. In an interview with Pitchfork Media, Pecknold stated he expected the album to be released sometime in the second half of 2010. In an interview with Rolling Stone Magazine, Pecknold admitted that his girlfriend of five years found the stress this album placed on their relationship too much, and ended things. Upon hearing the completed album, she realized that Pecknold's efforts were worth it, and they tried to work it out.[7] The couple has since split up.[8]
Pecknold has come out saying for their second album he tried to sound 'less poppy, less upbeat and more groove-based'. Taking inspiration from Roy Harper's folk album Stormcock, or at least its 12-string guitar he said: 'That will be the primary sonic distancing from the last record'. Added to this, he stated they wanted to record very quickly, saying he wanted to do the 'vocal takes in one go, so even if there are fuck-ups, I want them to be on there. I want there to be guitar mistakes. I want there to be not totally flawless vocals. I want to record it and have that kind of cohesive sound. Van Morrison's Astral Weeks, to me, is the best-sounding album because it sounds like there were only six hours in the universe for that album to be recorded in. So I want it to have that feeling.'[9]
The band had recorded since April 2010 in different locations (including West Hurley, New York) after two years of writing material and decided to scrap the earlier idea of a fast recording (though according to the band, the vocal takes so far have all been done in one take, perhaps in line with the original imperfect recording idea).
The album cover was illustrated by a Seattle artist Toby Liebowitz and painted by artist Christopher Anderson.[10] The title track, 'Helplessness Blues' was released via free download on January 31, 2011, and the album's fourth track, 'Battery Kinzie' premiered on Zane Lowe's show on March 22, 2011. Their record label, Sub Pop, also released a downloadable music video made up of recording and other miscellaneous footage set to Fleet Foxes' song 'Grown Ocean' on its site in support of the album. Additionally, the band released a 12' double A-side single of the title track backed with 'Grown Ocean' for Record Store Day on April 16, 2011.
On November 1, 2011, Sean Pecknold released the official music video for 'The Shrine / An Argument', which can be viewed on Sub Pop's YouTube account and Sean Pecknold's Vimeo account.[11]
Critical reception[edit]
Professional ratings | |
---|---|
Aggregate scores | |
Source | Rating |
Metacritic | 85/100[12] |
Review scores | |
Source | Rating |
AllMusic | [13] |
The A.V. Club | A[14] |
Entertainment Weekly | B−[1] |
The Guardian | [15] |
The Independent | [16] |
Los Angeles Times | [17] |
NME | 4/10[18] |
Pitchfork | 8.8/10[19] |
Rolling Stone | [20] |
Spin | 9/10[21] |
Helplessness Blues received widespread critical acclaim from contemporary music critics. At Metacritic, which assigns a normalized rating out of 100 to reviews from mainstream critics, the album received an average score of 85 based on 42 reviews, which indicates 'universal acclaim'.[12] Larry Fitzmaurice of Pitchfork wrote that the album's 'analytical and inquisitive nature never tips into self-indulgence' and that 'amidst the chaos, the record showcases the band's expanded range and successful risk-taking, while retaining what so many people fell in love with about the group in the first place.'[19] Chris Martins of The A.V. Club praised the album's 'sophisticated, truth-seeking songs',[14] while Alexis Petridis of The Guardian called it 'almost laughably beautiful.'[15] Andy Gill, writing in The Independent, felt that Fleet Foxes 'manage to make giant strides creatively without jettisoning their core sound.'[16]Robert Christgau, who was dismissive of the band's previous releases, gave the album a one-star honorable mention, indicating 'a worthy effort consumers attuned to its overriding aesthetic or individual vision may well like,' and declared it 'darker and more socially conscious than either their escapist admirers or their ideological detractors are equipped to notice.'[22]YouTube music critic Anthony Fantano of the channel 'theneedledrop' called Helplessness Blues 'his album of the year in 2011'. [23]
Warhammer 40k black legion supplement pdf to word. We Collect no data about you save for that captured by a cookie to provide us with anonymous information about site navigation. All Rights Reserved to their respective owners. No challenge to their status intended. All images are Used without permission.
Alaska moose roadkill program. The album was nominated for Best Folk Album for the 54th Grammy Awards.[4]
Accolades[edit]
Publication | Accolade | Year | Rank |
---|---|---|---|
Consequence of Sound | Top 50 Albums of 2011 | 2011 | 14[24] |
The Guardian | The Best Albums of 2011 | 2011 | |
Paste | The 50 Best Albums of 2011 | 2011 | 2[26] |
Pitchfork | The Top 50 Albums of 2011 | 2011 | |
PopMatters | The 75 Best Albums of 2011 | 2011 | 1[28] |
Rolling Stone | 50 Best Albums of 2011 | 2011 | |
Spin | The 50 Best Albums of 2011 | 2011 | 33[30] |
Stereogum | Top 50 Albums of 2011 | 2011 | |
Uncut | The Top 50 Albums of 2011 | 2011 | 12[32] |
Track listing[edit]
All tracks written by Robin Pecknold.
No. | Title | Length |
---|---|---|
1. | 'Montezuma' | 3:37 |
2. | 'Bedouin Dress' | 4:30 |
3. | 'Sim Sala Bim' | 3:14 |
4. | 'Battery Kinzie' | 2:49 |
5. | 'The Plains / Bitter Dancer' | 5:54 |
6. | 'Helplessness Blues' | 5:03 |
7. | 'The Cascades' | 2:08 |
8. | 'Lorelai' | 4:25 |
9. | 'Someone You'd Admire' | 2:29 |
10. | 'The Shrine / An Argument' | 8:07 |
11. | 'Blue Spotted Tail' | 3:05 |
12. | 'Grown Ocean' | 4:36 |
Total length: | 49:57 |
Fleet Foxes Helplessness Blues
Personnel[edit]
Rapidshare Fleet Foxes Helplessness Blues Blogspot
Fleet Foxes
- Robin Pecknold – vocals, acoustic and electric guitar, piano, fiddle, mandolin, hammer dulcimer, harmonium, Moog, lever harp, Prophet
- Skyler Skjelset – acoustic and electric guitar, mandolin, water harp
- Casey Wescott – piano, pump organ, Marxophone, music box, Crumar bass, Moog, Tremoloa, tibetan singing bowls, harmonium, harpsichord, Mellotron, additional vocal harmony arrangements
- Josh Tillman – vocals, drum kit, percussion
- Christian Wargo – vocals, electric bass
- Morgan Henderson – double bass, woodwinds
Additional instrumental personnel
- Alina To – violin on 'Bedouin Dress' and 'The Shrine / An Argument'
- Bill Patton – pedal and lap steel on 'Grown Ocean'
- Hanna Benn – string arrangements on 'Bedouin Dress'
Production personnel
- Phil Ek – production, engineering, mixing
- Greg Calbi – mastering
Certifications[edit]
Fleet Foxes Full Album
Region | Certification | Certified units/sales |
---|---|---|
United Kingdom (BPI)[34] | Gold | 164,918[33] |
*sales figures based on certification alone ^shipments figures based on certification alone |
References[edit]
- ^ abGreenwald, Andy (April 27, 2011). 'Helplessness Blues'. Entertainment Weekly. Retrieved February 11, 2016.
- ^'Fleet Foxes / Helplessness Blues - SP888'. Sub Pop Records.
- ^Meatto, Keith (2011-04-26). 'Fleeter Foxes – A Review of Helplessness Blues'. Frontier Psychiatrist.
- ^ ab'Nominees And Winners'. The Recording Academy. Archived from the original on 1 February 2012. Retrieved 6 December 2011.
- ^'Fleet Foxes'. AllMusic. Retrieved 13 April 2012.
- ^http://fatherjohnmisty.tumblr.com/post/16055804309/farewell-fleet-fans-and-friends-back-into-the
- ^Breihan, Tom (2009-12-03). 'Fleet Foxes' Robin Pecknold Talks Next Album, Side Projects, Creative Struggle'. Pitchfork Media. Retrieved 2009-12-04.
- ^'Robin Pecknold — Olivia, In A Separate Bed'. All Things Go. All Things Go, LLC. Retrieved 28 August 2012.
- ^Michaels, Sean (2009-12-07). 'Fleet Foxes Recording 'Pretty Boring' Second Album'. The Guardian. London. Retrieved 2009-05-22.
- ^Alissa (2011-01-31). 'Fleet Foxes Announce Second Album, Helplessness Blues, Pre-Order Now'. Sub Pop Records. Archived from the original on 2013-01-15.
- ^Murray, Robin (2011-10-25). 'Watch: Fleet Foxes - The Shrine / An Argument'. Clash Music. Retrieved 2011-10-25.
- ^ ab'Reviews for Helplessness Blues by Fleet Foxes'. Metacritic. Retrieved February 11, 2016.
- ^Leahey, Andrew. 'Helplessness Blues – Fleet Foxes'. AllMusic. Retrieved February 11, 2016.
- ^ abMartins, Chris (May 3, 2011). 'Fleet Foxes: Helplessness Blues'. The A.V. Club. Retrieved February 11, 2016.
- ^ abPetridis, Alexis (April 21, 2011). 'Fleet Foxes: Helplessness Blues – review'. The Guardian. London. Retrieved February 11, 2016.
- ^ abGill, Andy (April 22, 2012). 'Album: Fleet Foxes, Helplessness Blues (Bella Union)'. The Independent. London. Archived from the original on January 4, 2012. Retrieved February 11, 2016.
- ^Wappler, Margaret (May 3, 2011). 'Album review: Fleet Foxes' 'Helplessness Blues''. Los Angeles Times. Retrieved February 11, 2016.
- ^Haynes, Gavin (April 27, 2011). 'Album Review: Fleet Foxes – 'Helplessness Blues''. NME. Archived from the original on March 6, 2016. Retrieved February 11, 2016.
- ^ abFitzmaurice, Larry (May 2, 2011). 'Fleet Foxes: Helplessness Blues'. Pitchfork. Retrieved February 11, 2016.
- ^Fricke, David (April 28, 2011). 'Helplessness Blues'. Rolling Stone. Retrieved February 11, 2016.
- ^Petrusich, Amanda (May 3, 2011). 'Fleet Foxes, 'Helplessness Blues' (Sub Pop)'. Spin. Retrieved February 11, 2016.
- ^Christgau, Robert (January 20, 2012). 'Odds and Ends 005'. MSN Music. Retrieved February 11, 2016.
- ^{{cite web |url=https://www.youtube.com/watch?v=-J85naYNmck%7Ctitle= Fleet Foxes- Crack-Up Album Review|publisher=YouTube|date June 28, 2017|accessdate=July 11, 2019|last=Fontano|first=Anthony
- ^'Top 50 Albums of 2011'. Consequence of Sound. December 16, 2011. Retrieved April 15, 2016.
- ^'The Best Albums of 2011'. The Guardian. December 1, 2011. Retrieved April 15, 2016.
- ^'The 50 Best Albums of 2011'. Paste. November 29, 2011. Retrieved April 15, 2016.
- ^'The Top 50 Albums of 2011'. Pitchfork. December 14, 2011. Retrieved April 15, 2016.
- ^'The 75 Best Albums of 2011'. PopMatters. December 26, 2011. Retrieved April 15, 2016.
- ^'50 Best Albums of 2011'. Rolling Stone. December 7, 2011. Retrieved April 15, 2016.
- ^'The 50 Best Albums of 2011'. Spin. December 12, 2011. Retrieved April 15, 2016.
- ^'Top 50 Albums of 2011'. Stereogum. December 5, 2011. Retrieved April 15, 2016.
- ^'The Top 50 Albums of 2011'. Uncut. January 10, 2013. Retrieved April 15, 2016.
- ^'Official Charts Analysis: Royal Blood score second chart-topper'. Music Week. 23 June 2017. Retrieved 10 April 2018.
- ^'British album certifications – Fleet Foxes – Helplessness Blues'. British Phonographic Industry.Select albums in the Format field.Select Gold in the Certification field.Type Helplessness Blues in the 'Search BPI Awards' field and then press Enter.
- 'Helplessness Blues review'. The Times.
External links[edit]
Fleet Foxes Helplessness Blues Lyrics
- 'Grown Ocean' music video on YouTube
- 'The Shrine / An Argument' music video on YouTube
- Max Blau (January 14, 2011). 'The New Fleet Foxes Album is Finished'. PasteMagazine.com.
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